We all know we can go to reviewers for opinions on whether a movie is worth seeing or an album is worth buying don’t we? And critics play an informative role in our interpretations of contemporary art (without them no-one would be able to work out whether a piece of gum stuck to the ground in a gallery is a work or not). This reliance on critics is somewhat problematic in that the scope of their reviewed material is somewhat limited. A critic never evaluated whether or not you might like the revolution, there’s a lot of tomes out there containing in depth analysis of the revolution, but in this post-modern age of fragmentation and instant gratification picking up such a tome without first knowing whether you’re going to like the revolution or not isn’t something many people are likely to do.
This series of posts is inspired by the format of film reviews but deals with the subject of revolutions, its tongue in cheek and will probably tend to be simplistic and general, but that’s ok for the sake of satire.
Like a film review there will be Criteria:
Context will evaluate how interesting the social cultural and historic context of the revolution and how well the revolution was timed as a means of alleviating tensions associated with the context, Plot will evaluate the progression of the revolution in terms of key moments, uprisings, battles riots and wars, the characters will be evaluated in terms of individuality, memorability and interest, and the quality of the imagery and iconography associated with the revolutionary ideals will be evaluated.
Revolution Review: France
Have you ever been frustrated by aristocratic characters in Books and films that enjoy wealthy power and privilege without seeming to work at all? Do you sometimes find yourself wishing that Characters like Emma Woodhouse (from Jane Austen’s Emma) would be killed in violent peasant uprisings? Do you hate oppression and wish for an enlightened means of achieving Liberty, Equality and Fraternity? If so then you might want to check out the French Revolution.
Some would say that the French Revolution was history’s first true revolution.
Yes that’s right, I know the American Revolution happened first, but it’s not really a proper revolution is it? They didn’t rise against a deeply ingrained and oppressive social order, they simply had a different idea to how the new world should be run so they had a bit of a tiff over tea and embarked on what has been described by Oscar Wilde as ‘The greatest social experiment ever undertaken.’
The French revolution was, for want of better words, very different. It was a bloody period filled with mass executions, massacres, assassinations, a lot (and I mean a lot) of political clubs, and conflicting outlandish radical ideologies.
Context:
The old social order in France consisted of three distinct groups or estates. The esteem of the estates was closely tied to their association with god. Preceding 1789 France’s government was strongly influenced by religion. Their monarch, Louis XVI, ruled by divine right and all power political or otherwise came from god.
As such the first of the three Estates was the Clergy (or church) ranging from upper echelon members of the Catholic Church to lowly parish priests.
The Second Estate was the Nobility who, try as we might, no-one can actually ascertain their pragmatic function. They were nominally involved in politics which preceding the revolution was pretty much just a matter of nodding and smiling and generally agreeing with whatever whimsical notion the king may have come up with.
The Third Estate was everyone else and comprised the vast majority of the population; they ranged from peasants through to craftsmen up to lawyers and wealthy merchants. The upper Third Estate became known as the Bourgeoisie and while these people enjoyed affluence greater than some of the nobility they could not wield political power within the constraints of the old regime. They felt rather narky about this and an atmosphere of malcontent descended upon France.
The French revolution is perfectly contextually placed and the radical and symbolic acts are timed perfectly so as to sate the dissatisfaction of the proletariat at the most tense and dramatic moment possible. Disappointingly However, the economic factors that contributed to the French revolution are complex and economically inaccessible which leads to confusion in the early stages, the Compte Rendu is not blockbuster material.
Four stars
Plot:
This is where the French revolution really shines. The French revolution is spattered with iconic events that build tension and express the sentiments of the downtrodden proletariat with sublime nuance and brilliance of execution. Moments such as the Tennis Court Oath, the Capture and destruction of the Bastille, the execution of Louis XVI, the assassination of Marat are revolutionary genius. The only qualm one can have with the plot of the French revolution is the waning of intellectual intrigue throughout the period popularly known as The Reign of Terror this period can be slightly numbing, as images of guillotines beheadings and massacres tend to lose potency through repetition, the period lacks dynamic and focus as it consists almost solely of accusations and executions in a repetitive cycle. This period, however, is brief and can be tolerated, especially considering its appeal to a younger demographic. Concerned individuals may like to tune out any information pertaining to Robespierre’s execution, the bit about him trying to kill himself but missing and instead shooting his jaw off is rather disturbing and perhaps was overkill on behalf of the revolutionaries.
The ideological journey of the French Revolution is fascinating and is visually stunning in its delivery (Jacques Louis David’s portrayal of the Tennis Court Oath is flawless in its stylised realism) and also very witty and fresh (the use of the Pamphlet War as a means of communicating ideology was a stunning and interesting was of quickly communicating key points). Sadly however the culminate moments of the revolution are rather disappointing as the Thermidorian reaction to Jacobin radicalism led to the reestablishment of royalist conservatism and eventually Napoleon was instated as emperor, so in many ways France ended up where it came from.
Three and a half stars.
Characters:
The French revolution has some of the most memorable characters of any revolution.
Including:
The Philosophes of the enlightenment period: Montesquieu, Rousseau, Voltaire. Intellectual men who embodied ideas of rationalism and objective contemplation and proposed pioneering models of democracy. Unfortunately some of these ideas were used as the racist justification of colonialism as is was suggested that despotism could be justified by a hot climate. Don’t ask me how that makes sense, sometimes people will believe what they want to believe.
Early revolutionary leaders such as Lafayette are important as their enlightened reformation of France into a constitutional monarchy serves as a point of reference for the ridiculous radicalism of the later stages of the revolution. A brilliant plot device here as the juxtaposition of these elements serves as an illustration of the excesses of the revolution.
The Popular Movement is probably the best Mob in any of the revolutions that I know of, renown for not wearing pants and liable to kill anyone who stood in their way, they weer a force to be reckoned with.
The Girondins who were a group of loosely-affiliated individuals rather than an organized political party with a clear ideology. This political group serves as the devils advocate for the radicalism of the Jacobin endorsed Reign of Terror though their constant conservatism and lack of impassioning ideas or dialogue is draining. Key members included: Pierre Victurnien Vergniaud, Marguerite Élie Guadet, Armand Gensonné, Jean Antoine Lafargue de Grangeneuve and Jean Jay.
The Jacobins are one the real driving force behind the characterisation of the French revolution as their actions serve the purpose of defining people perceptions of the revolution in a holistic sense, when you think of the revolution you think of heavy blades falling through the necks of nobility, we have the Jacobins to thank for that. When considering the Jacobin club one cannot overlook Robespierre, perhaps one of the most misguided political leaders of all time. The terror completely ran away from him and for the most part he was out of control, the public feared the machinery of terror he instated, his political brethren feared him paranoia might turn to them and all political opposition despised his despotism that compromised the fundamental ideals of the Revolution. Needless to say of course he was eventually humiliatingly executed.
The only issue with the characters of the French Revolution is that they are predominantly male and there tends to be an unhealthy lack of romanticism among the revolutionary leaders as they were far more concerned with legislation than brainwashing the masses into believing their political leaders to be godlike. This may have helped the consolidation of the revolution on a practical level but doesn’t help with the development of larger than life memorable characters.
Three stars.
Imagery:
The imagery and symbolism of the French Revolution is rich and diverse. The All Seeing Eye (a symbol of enlightenment period thought), the equilateral triangle of equality (The three sides symbolising liberty equality and fraternity), the Bonnet rouge (a tribute the headwear of Grecian slaves) and the Tricolour… and the list goes on. No other revolution could possible hope to rival such diverse iconography.
The period also enjoyed some entertaining and effective propaganda.
Five stars.
Do I think you should get into it?
Definitively yes.
All in all France is a very fulfilling revolution. You name it the French revolution has it: Political intrigue, action, bloodlust, destruction of an imbalanced social order, social egalitarianism, philosophy, war and royal scandal. This is one revolution this reviewer can recommend without question, check it out today.
Recommended Material:
Basic:
Fenwick and Anderson, Revolution France, HTAV: This book is basically an effective overview of revolutionary events and figures. A good starting point
Advanced:
Simon Schama, Citizens: A chronicle of the French revolution, Penguin books: revisionist historical perspective, lots of focus on details, good as a subsidisation of another text, not one to sit down and read all the way through.
Entertaining:
Mark steel, The Mark Steel Revolution: episode one, the French revolution, BBC: Simply the best lecture on the French revolution I have ever heard.






